The Big Give Christmas Challenge 2022
Dash Arts is taking part in the Big Give Christmas Challenge again this year. An amazing way to make people's generous support go even further, The Big Give will match every donation we receive during the campaign week - doubling donations at no extra cost to donors.
Our Big Give campaign opens at midday Tuesday 29 November and closes on Tuesday 6 December.
Last year, thanks to our generous supporters, we raised over £4,000, and we hope to do the same this year.
We are raising money to support participation workshops that will lead to our new production, Public House. The fund will help us to deliver accessible community workshops, including facilitators and BSL specialists. These workshops will take place next year in locations across England.
These workshops will playfully and theatrically explore speaking in public, encouraging and providing the tools and training to enable all participants to “speak up” and support people in enabling change in their communities. From this work, we will then develop and create The Public House, a state-of-the-nation theatre production that will amplify unheard voices, explore Englishness in all its diversity, and bring world-class culture to audiences around the country.
You can donate as little as £1 and donations of any size are extremely valued and welcome! Thank you
Read more about Our Public House:
We’re proud to be taking part in this year’s Big Give Christmas Challenge 2022 again this year! With your help all donations made via The Big Give website between Tuesday 29 November and Tuesday 6 December will be DOUBLED!
Listen to Our Podcast Episodes exploring Our Public House
Join Dash Arts at the Freud Museum in London as we delve into “Leonora Carrington: The Symptomatic Surreal.” Curator Vanessa Boni guides us through Carrington’s turbulent early years—from her life with Max Ernst in France to her wartime breakdown and confinement in a Spanish sanatorium.
We explore the haunting "Villa Pilar" and sketchbooks born from crisis, linking Carrington’s mythic imagery to Freud’s own underworld motifs. This episode uncovers the alchemical threads connecting two 20th-century icons in the very room where Freud once slept.
Three years. 80 workshops. One thousand speeches. One pub.
As Our Public House takes its final bow, so too does Albion; our long exploration of who we are as a country, and who we might yet become.
In this closing episode, Josephine reflects on the whole journey: from a tent in a field at Latitude Festival in 2019 to stages across England, from the first hesitant speeches in community halls and prison workshops to songs performed live every night on stage by a cast who made those words their own.
In this episode of OffScript, Dash Arts' Artistic Director Josephine Burton heads out into the land itself and into the long, tangled history of who has felt at home there, and who has had to fight to claim it.
Join us to explore connection, place, and the ever-evolving landscape of English identity.
First, she talks with Toni Murphy, founder of Touching Grass, a community creating space for queer women, trans and non-binary people of colour to experience the outdoors as somewhere that belongs to them. Toni describes the hiking trips, camping and the careful acts of presence in landscapes that haven't always felt welcoming.
Then Josephine takes the longer view. What does history tell us about who has always assumed the countryside is theirs and what have people done when that assumption has been challenged? With Professor Alan Finlayson, one of the UK's leading political and social thinkers, she traces the deep roots of England's relationship with its land, all the way to the present and to Andy Burnham MP's recent journey down from the north to Westminster, reclaiming something as he went.
In this episode of OffScript, Dash Arts' Artistic Director Josephine Burton is joined by Dr. Neil Buttery—food historian, cook, and the voice behind The British Food History Podcast—for a delicious and wide-ranging conversation about the edible stories that define us.
In this episode of OffScript, Dash Arts' Artistic Director Josephine Burton is joined by Lynne Murphy, Professor of Linguistics at the University of Sussex, author of The Prodigal Tongue, and the American voice behind the long-running blog Separated by a Common Language, for a wide-ranging and surprising conversation about the language we think we own.
In this episode of OffScript, Josephine Burton is joined by historian, journalist, and writer Paula Akpan. A specialist in Black British history and queer identity, Paula brings a vital perspective to our exploration of Albion.
Drawing on her acclaimed book, When We Ruled: The Rise and Fall of Twelve African Queens and Warriors, Paula discusses the power of restoring overlooked narratives to the center of our global and national stories. Together, they examine how history shapes the idea of who gets to be seen as "English" and the intersections of race, memory, and belonging.
Josephine Burton takes us inside the rehearsal room of Our Public House, Dash Arts' new touring theatre production and the culmination of our series of work on Albion.
We join the company during their rehearsals at Toynbee Studios while some of the country heads to the polls in local elections. Assistant Director Scott Hurran shares insights into the collective creation of characters and how communities across the country have shaped the play's development.
Set in a pub, Our Public House is a play about Englishness: who we are, what we've lost, and what we might still become.
What does Englishness sound like?
In this episode of OffScript, Dash Arts' Artistic Director Josephine Burton is joined by musician, songwriter, and activist Billy Bragg for an electric conversation about England - its flags, its contradictions, and its capacity for protest.
What makes someone English — and who gets to decide?
In this episode of Off Script, Dash Arts' Artistic Director Josephine Burton is joined by choreographer Shobana Jeyasingh, born in India, raised in Sri Lanka and Malaysia, and educated in the UK, whose internationalism has always been at the heart of her practice.
What does Englishness mean to you?
In this episode of OffScript, Dash Arts’ Artistic Director Josephine Burton is joined by journalist, writer, and Editor-in-Chief of Byline Times, Hardeep Matharu, for a wide-ranging conversation about the complex and overlooked stories shaping contemporary England. Drawing on her work leading an independent, reader-funded news outlet committed to investigative journalism and democratic accountability, Hardeep brings a sharp perspective on the narratives that dominate public life — and those that are too often ignored.
In this episode of OffScript, Dash Arts' Artistic Director Josephine Burton takes us inside the rehearsal room and into the pub, as she introduces the people and ideas behind Our Public House, Dash Arts' new touring theatre production and the culmination of the Albion series.
How can the arts help us to encounter others?
In December 2024, we were part of a fantastic live discussion at the RSA (Royal Society for Arts, Manufactures and Commerce) discussing how the arts can unlock unheard voices. This podcast brings you some highlights from the event with some extra insights and updates from our Dash Arts Artistic Director Josephine Burton.
In this special episode Artistic Director, Josephine Burton, catches up with four former speech-making workshop participants across the country on how they are experiencing the election campaign, and analyses our political candidates and the quality of their speechmaking with Alan Finlayson, Professor of Political and Social Theory at the University of East Anglia, and collaborator on our national workshops.
Whilst the country builds up to a general election, we’re in the midst of creating Our Public House, Dash Arts’ state-of-the-nation theatre production. Hear from Artistic Director Josephine Burton and playwright Barney Norris on how our play weaves together the ideas and speeches of over 150 voices from across England and the ever shifting political landscape.
Marie and Josephine chat outside a pub in South London after a week of development and rehearsals at the NTS - intercut with clips from the rehearsal room and questions from the audience
“Take a deep breath in, now think about the future you want” Heidi in Cornwall.
What do you want to change? What do you want politicians to understand?
Join us on the road as we travel the length and breadth of England to hear what people want to change. In communities across Cornwall, Yorkshire, Norfolk, the North West, South East and the Midlands, we’re supporting people to write and deliver speeches on what difference they want to see.
How do you create an epic for the modern world?
This is the start of our Songs of Solidarity mini-series; Josephine Burton and Maria Aberg take us behind the scenes as they discuss the journey of the last 18 months—from researching ancient epic traditions with academics to interviewing those with lived experiences of migration. Join us for a conversation about the art of "future-making," resisting traditional singular narratives, and the exciting, messy process of creating something new.
Songs of Solidarity, is a PROJEKT UTOPIA and Dash Arts co-production. We’re currently in the research and development stage co-produced with the Schwarzman Centre for the Humanities, in partnership with the Archive of Performances of Greek and Roman Drama, School of Advanced Studies, Roundhouse London, Asylum Welcome and Unbound Philanthropy. We are particularly grateful to Fiona Macintosh for her support and encouragement throughout.