In part 2 we’re looking at the impact of politics on the most recent productions from Dash Arts. We explore our 2025 production of The Reckoning, which brought real-life testimonies from Ukraine to the stage, and the upcoming 2026 production of Our Public House, inspired by speeches from people across England.
Marina Pesenti, former Director of the Ukrainian Institute, looks back at how more than a decade of artistic research, events and productions deepened our understanding of the Ukrainian context and enriched the work. Similarly, playwright Barney Norris reflects on the challenges of continuing to navigate the shifting political and social landscape in the UK and its influence on Our Public House.
Go to the Dash Arts website for your tickets to We Are Free To Change The World; a new series of three Dash Cafés exploring how artists and creative activists respond to the urgency of our times. Through performance, film and conversation, each event will bring together creative voices to consider how we act and how we do this together.
Our intro music is Fakiiritanssi by Marouf Majidi
And you can hear audio taken from Dash Arts’ production of The Reckoning at Arcola Theatre in May-June 2025
Josephine is joined by Dr. Florian Scheding, Associate Professor of Music and Migration at the University of Bristol. Together, they explore how music acts not merely as a passive reflection of human movement, but as an active force capable of crossing physical boundaries and temporal divides.