The Reckoning: Dill and Sour Cream
Join us round the kitchen table with acclaimed Ukrainian chef Olia Hercules and Dash’s Artistic Director Josephine Burton as they weave together cooking and storytelling in our latest production.
Dash’s new production, The Reckoning, is a vivid and powerful new play about war, survival and the fragile trust between those who uncover the truth and those who must live with it.
Co-writers Anastasiia Kosodii and Josephine Burton created the play from The Reckoning Project’s verified archive of witness testimonies of the Russian war in Ukraine. Find out why Olia’s insights and beautiful cooking is so vital to our staging of these experiences.
To book tickets or to read more about The Reckoning see The Reckoning page.
If you haven’t already, you can hear the other episodes of this podcast mini-series on The Reckoning where we explore our process towards production, speaking to author and journalist Peter Pomerantsev on why he shared the testimonies with Dash as well as Rory Finnin, Professor of Ukrainian Studies at the University of Cambridge.
In the podcast, we hear from:
Josephine Burton - Artistic Director, Dash Arts
Olia Hercules - Chef & The Reckoning Food Consultant
Zoë Hurwitz - The Reckoning Set Designer
Our intro music is Fakiiritanssi by Marouf Majidi and throughout you can hear Tykho feat Syoda by composer of The Reckoning, Anton Baibakov.
How do you create an epic for the modern world?
This is the start of our Songs of Solidarity mini-series; Josephine Burton and Maria Aberg take us behind the scenes as they discuss the journey of the last 18 months—from researching ancient epic traditions with academics to interviewing those with lived experiences of migration. Join us for a conversation about the art of "future-making," resisting traditional singular narratives, and the exciting, messy process of creating something new.
Songs of Solidarity, is a PROJEKT UTOPIA and Dash Arts co-production. We’re currently in the research and development stage co-produced with the Schwarzman Centre for the Humanities, in partnership with the Archive of Performances of Greek and Roman Drama, School of Advanced Studies, Roundhouse London, Asylum Welcome and Unbound Philanthropy. We are particularly grateful to Fiona Macintosh for her support and encouragement throughout.