Albion: SHOBANA JEYASINGH
What makes someone English — and who gets to decide?
In this episode of Off Script, Dash Arts' Artistic Director Josephine Burton is joined by choreographer Shobana Jeyasingh, born in India, raised in Sri Lanka and Malaysia, and educated in the UK, whose internationalism has always been at the heart of her practice.
Shobana and Josephine explore what Englishness and Britishness actually mean, and why the tension between them matters. Shobana reflects on how English literature and a culture of open debate shaped her own values, even as she felt, in many ways, an outsider looking in.
At the centre of the conversation is Shobana's production We Caliban, which draws on Shakespeare's The Tempest to interrogate the encounter between non-European cultures and the colonising gaze of Prospero. It's a work about empire, migration, and the questions that remain stubbornly unresolved. The Tempest is also the source material for Dash Arts’ forthcoming production, Our Public House.
Together, Josephine and Shobana make the case for why the arts, more than politics or policy, can hold the complexity that simple definitions of belonging refuse to.
You can now buy tickets for our new touring theatre production, Our Public House. Find out more on the Dash Arts website : https://www.dasharts.org.uk/our-public-house
Our intro music is Fakiiritanssi by Marouf Majidi
How do you create an epic for the modern world?
This is the start of our Songs of Solidarity mini-series; Josephine Burton and Maria Aberg take us behind the scenes as they discuss the journey of the last 18 months—from researching ancient epic traditions with academics to interviewing those with lived experiences of migration. Join us for a conversation about the art of "future-making," resisting traditional singular narratives, and the exciting, messy process of creating something new.
Songs of Solidarity, is a PROJEKT UTOPIA and Dash Arts co-production. We’re currently in the research and development stage co-produced with the Schwarzman Centre for the Humanities, in partnership with the Archive of Performances of Greek and Roman Drama, School of Advanced Studies, Roundhouse London, Asylum Welcome and Unbound Philanthropy. We are particularly grateful to Fiona Macintosh for her support and encouragement throughout.