We take a look back on a crazily packed year at Dash Arts, reflecting on the highs and lows of our three productions, Songs for Babyn Yar, The Great Middlemarch Mystery and Dido's Bar and all our podcasts, and look forwards to what 2023 holds, with Dash Arts Artistic Director Josephine Burton and Podcast Producer Rachael Head.
Music Credits:
Intro music: Fakiiritanssi by Marouf Majidi
"We don't need fortresses; we need ports."
In this episode, Josephine Burton sits down with one of the world's most brilliant minds on myth and belonging, Dame Marina Warner. From the haunting songs of our childhood to the timeless epic of Gilgamesh, Marina explores the radical idea that storytelling isn't just entertainment but survival.
Recorded in Marina’s beautiful, art-filled home, this conversation opens with her mother’s courageous post-war journey to England. Discover the extraordinary story behind Stories in Transit, Marina’s work with young refugees using the power of ancient epics to reclaim their identities, break through language barriers, and turn the tide on "us vs. them" narratives.
What does it take to reclaim your voice when your country wants to silence it - and then take it on stage?
This is the second in our Songs of Solidarity series - conversations with artists, academics, writers and thinkers whose lives and work illuminate the themes at the heart of our new production: migration, displacement, survival, and the stories we tell to make sense of all three.
How do you create an epic for the modern world?
This is the start of our Songs of Solidarity mini-series; Josephine Burton and Maria Aberg take us behind the scenes as they discuss the journey of the last 18 months—from researching ancient epic traditions with academics to interviewing those with lived experiences of migration. Join us for a conversation about the art of "future-making," resisting traditional singular narratives, and the exciting, messy process of creating something new.
Songs of Solidarity, is a PROJEKT UTOPIA and Dash Arts co-production. We’re currently in the research and development stage co-produced with the Schwarzman Centre for the Humanities, in partnership with the Archive of Performances of Greek and Roman Drama, School of Advanced Studies, Roundhouse London, Asylum Welcome and Unbound Philanthropy. We are particularly grateful to Fiona Macintosh for her support and encouragement throughout.
Join Dash Arts at the Freud Museum in London as we delve into “Leonora Carrington: The Symptomatic Surreal.” Curator Vanessa Boni guides us through Carrington’s turbulent early years—from her life with Max Ernst in France to her wartime breakdown and confinement in a Spanish sanatorium.
We explore the haunting "Villa Pilar" and sketchbooks born from crisis, linking Carrington’s mythic imagery to Freud’s own underworld motifs. This episode uncovers the alchemical threads connecting two 20th-century icons in the very room where Freud once slept.
Three years. 80 workshops. One thousand speeches. One pub.
As Our Public House takes its final bow, so too does Albion; our long exploration of who we are as a country, and who we might yet become.
In this closing episode, Josephine reflects on the whole journey: from a tent in a field at Latitude Festival in 2019 to stages across England, from the first hesitant speeches in community halls and prison workshops to songs performed live every night on stage by a cast who made those words their own.
Josephine is joined by Dr. Florian Scheding, Associate Professor of Music and Migration at the University of Bristol. Together, they explore how music acts not merely as a passive reflection of human movement, but as an active force capable of crossing physical boundaries and temporal divides.